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Sake 101

Getting to know sake

Label terms, brewing methods, seasonal sake and how to enjoy it. With these, the differences between breweries become far more interesting.

01種

Grades and polishing

What "junmai" and "ginjo" on a label mean: your first clue when choosing.

Polishing ratio (seimai buai)

The share of each rice grain left after polishing. At 60%, the outer 40% has been milled away. The outer layers carry more of the compounds that cloud flavour, so more polishing tends to give a cleaner, more aromatic sake.

Premium grades

Junmai
Made only from rice, koji and water. The rice speaks plainly.
Ginjo
Rice polished to 60% or less, fermented slowly at low temperature. Fruity aromas.
Daiginjo
Polished to 50% or less: ginjo taken further.
Honjozo
Polished to 70% or less, with a little distilled alcohol added for a lighter style.

"Junmai" on a label means no added alcohol. So "junmai daiginjo" is made from rice alone, polished to 50% or less.

02醸

Making: kimoto, yamahai, sokujo

The same rice tastes different depending on how the yeast starter is made. Terms you will meet on brewery pages.

Sake begins with a yeast starter called shubo or moto, to which rice, koji and water are added. Lactic acid protects the starter, and how that acid is obtained defines the method.

Kimoto
The traditional method: lactic bacteria living in the brewery are drawn in naturally, and the rice is ground by hand (yama-oroshi). Slow and laborious.
Yamahai
A kimoto-family method that drops the yama-oroshi grinding but still relies on the brewery’s own bacteria.
Sokujo
Lactic acid is added to make the starter quickly. Today’s mainstream; tends towards a cleaner style.

Kimoto-family sakes are often described as having more acidity and depth. In Akita, Ginrin’s Akita-style kimoto and the yamahai and kimoto of Kariho and Hiraizumi are well-known examples.

03季

Sake through the seasons

New sake, summer sake, hiyaoroshi: sake has seasons, and shows a different face through the year.

Most sake is gently heated twice, after pressing and before bottling, to stabilise it. This is called hi-ire. How often, when, and how long the sake rests before release gives each season its own style.

冬Dec–Feb

New sake, shiboritate

The height of winter brewing: young sake, freshly pressed, straight from the brewery.

春Mar–May

Spring releases

Winter-brewed sake settles and softens; seasonal bottles such as Harukasumi’s spring label.

夏Jun–Aug

Summer sake

Light and crisp, made to be served well chilled.

秋Sep–Nov

Hiyaoroshi

Pasteurised once in spring and matured over summer: autumn’s sake, for the harvest table.

Nama
Unpasteurised sake. Fresh aromas and flavour; keep refrigerated.
Genshu
Bottled without adding water after pressing. Richer and a little stronger.
Muroka
Not charcoal-filtered after pressing, so more of the rice’s savour remains.
04味

Enjoying it: temperature and glass

Sake is delicious chilled or warmed; its character shifts with temperature.

Sake has lovely names for each serving temperature. Aromatic ginjo styles shine chilled, while rice-forward junmai and kimoto styles can open up when warmed.

5°CYuki-bie (snow-chilled)
10°CHana-bie (flower-chilled)
15°CSuzu-bie (cool)
around 20°CRoom temperature
35°CHitohada-kan (body warm)
40°CNuru-kan (lukewarm)
45°CJo-kan (warm)
50°CAtsu-kan (hot)

Glassware

Beyond the small ochoko and guinomi cups, a wine glass is ideal for aroma. More breweries now design sake with the wine glass in mind.

With Akita food

Kiritanpo hotpot, shottsuru fish sauce, smoked iburigakko pickles: local food and local sake find each other naturally.